For the latest edition of the Event Industry News podcast, we welcomed Mark Rivkin, managing director at Crucial FX, to discuss his latest venture: Origin

Crucial FX is an experience company that utilises technology such as projection mapping, lasers and sound to create stunning live events. Product launches, dinner shows, and seasonal celebrations are just a few examples of where Crucial FX are commissioned with creating memorable experiences that later become a talking point.

Mark explained that describing to customers what Crucial FX can do proved difficult at times because of the range of services they can offer. Origin was therefore created as a means of demonstrating just what the company can achieve. It is described on the Crucial FX website as an “interactive playground”.

Describing Origin as a “bombardment” of the senses, Mark explained that Origin uses vibrations, smells, sounds and visuals to really showcase what Crucial FX deliver. Origin was also a reason to attain a London base and, therefore, become closer to key clients.

Because of social media and the Internet, people can experience projection mapping and experiential events without even leaving their homes. This creates challenges for companies such as Crucial FX and their clients to create original and fresh events that will leave a mark on the audience.

In terms of creating Origin itself, Mark stated that they came up with the idea first and then battled the implications. He explained: “We wanted to create a technical experience like no other, to showcase the creative capabilities and to start conversations with new potential partners.”

“We push innovation,” Mark commented, explaining that is what keeps their products exciting. Creativity also plays a major role in keeping the company (and therefore the brands with which it works) “fresh, challenging and engaging.”

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Molly Hookings
Author: Molly Hookings

Molly joined the editorial team in March 2019. She has several years’ experience working in broadcast and journalism, as well as marketing and PR. Past experience includes working for the BBC and independent publishing houses. If you have a story you think Molly might be interested in, please email: